Days of observation and an early start made this stunning silhouette of a kingfisher a success for Pete Stewart ...
He refers to the 24-70mm as a "nowhere lens" and, while that might seem a little harsh, it's an evocative way of saying that it's not wide enough to, say, satisfy an architectural photographer and ...
The Viltrox AF 40mm F2.5 Z is a full-frame lens for Nikon Z-mount cameras. We were able to test it out in Seattle and Oregon, ...
A fast lens, the right AF mode and a whole lot of trial and error were required to land this jaw-dropping doggie action shot ...
With that said, the 2.7x focal length multiplier can make even a regular telephoto zoom lens, such as the 70-200mm f/2.8, into a 190-540mm equivalent lens. If you're a Nikon shooter already ...
At 17mm, central sharpness is outstanding from f/2.8 through to f/8, excellent at f/11, very good at f/16 and good at f/22. The edges are excellent at f/2.8, outstanding at f/4, excellent at f/5.6 ...
400mm (Nikon 400mm f/2.8G IF-ED AF-S VR), f/2.8, 1/8000s, ISO 220, -2/3 EV This image has been modified. Click for full-size image. We put Nikon's latest flagship camera, the D5, through its paces ...
That’s because the lens’s minimum focus distance is unaffected and the image size is doubled. For example, the Nikon Z 70-180mm f/2.8 has a native maximum macro ratio of 0.48x. Coupled to the TC-2.0x, ...
Canon's newest, non-extending 70-200mm F2.8 L zoom for RF-mount includes features aimed at both photo and video shooters. It also works with Canon's RF-mount 1.4x and 2x teleconverters.
The Z 50mm f/1.4 design is pretty much a copy-and-paste of the Z 35mm f/1.4, meaning it's a small and simple lens. The lenses are practically the same in size and weight, with the Z 50mm a hair's ...
Nikon's NIKKOR Z 28-135mm f/4 PZ lens offers superior image quality and versatility. Ideal for high-quality video and dynamic ...
Central sharpness is excellent at f/2.8, outstanding from f/4 to f/8 and excellent at f/11 and f/16. The edges are excellent from f/2.8 to f/8 and very good at f/11 and f/16. The blue column ...