He refers to the 24-70mm as a "nowhere lens" and, while that might seem a little harsh, it's an evocative way of saying that it's not wide enough to, say, satisfy an architectural photographer and ...
but with zooms as good as the Nikkor Z 24-70mm f/4S even the very best primes are given a run for their money. The major casualty of a zoom is of course the reduced maximum aperture, and f/2.8 ...
Nikon Z 24-70mm f/2.8 S: 24mm, f/8, 1/25s, ISO 500 High ISO performance, as we've come to expect with modern full-frame cameras, is quite impressive, making the Nikon Z6 a good choice for low ...
Canon's newest, non-extending 70-200mm F2.8 L zoom for RF-mount includes features aimed at both photo and video shooters. It also works with Canon's RF-mount 1.4x and 2x teleconverters.
It's essentially an APS-C version of the venerable 24-70, but unlike the first generation, the XF16-55mm F2.8 II is actually ...
As the ex-editor of N-Photo magazine for Nikon enthusiasts, I'm TRULY blown away by some of Nikon's Winter Instant Savings ...
For example, the Nikon Z 70-180mm f/2.8 has a native maximum macro ratio of 0.48x. Coupled to the TC-2.0x, it becomes ...
Retrospekt, a company known for refurbishing and reselling classic consumer electronic devices, has announced a limited run of 24-karat gold-plated Rollei 35 film cameras called the Retrospekt 24K ...
900mm eq (Nikon 200-500mm f/5.6E ED VR AF-S lens with Nikon TC-14E III), f/8.0, 1/800s ... 300mm eq. (Nikon 70-200mm f/2.8G VR II AF-S lens), f/16, 1/60s, ISO 80, -0.33 EV This image has been ...
Meet the new RF 70-200mm F2.8L IS USM Z ... The Nikkor Z 50mm f/1.4 is another affordable fast-aperture prime lens for Nikon's mirrorless cameras the delivers strong performance.
The new Nikon Z50 II has the same core specs as its predecessor, but is turbocharged with an Expeed 7 chip for Z9-like performance ...
At 24mm, central sharpness is outstanding from f/4 to f/8, excellent at f/11, very good at f/16 and good at f/22. The edges are excellent from f/4 to f/8, very good at f/11, good at f/16 and fair ...