In reporting my piece on the French perfumer Francis Kurkdjian, whose airy, sugary, hauntingly synthetic scent Baccarat Rouge ...

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With a certain liberal arrogance, many took a racist fabrication from Donald Trump at last week’s Presidential debate to be ...

They don’t make them like Pamela Harriman anymore. On balance, that’s probably a good thing. Not that there isn’t much to ...

Follow @newyorkercartoons on Instagram and sign up for the Daily Humor newsletter for more funny stuff. For years, Russia has ...

The director’s dark depictions of suburban yearning made him a titan of indie film. Why can’t he get his next movie made?

The person I am not finishes work early, but hangs around the office for an additional hour just to “see if anyone needs ...

A Midwestern empty nester opens her home to a tough-talking New Yorker in Jen Silverman’s sputtering star vehicle.

In the memoir “An Honest Woman,” Shane uses her experience selling sex as the basis for a sustained meditation on male-female ...

Taking the form of a nineteen-sixties documentary, Robert Kolodny’s début feature goes behind the scenes of a real-life boxer ...

Sign up to receive our weekly cultural-recommendations newsletter. Almost immediately after the publication of Sally Rooney’s “Normal People,” in 2018, Rooney ...

Audrey Diwan’s film, though set in the France of the nineteen-sixties, stares urgently at a possible future in which pregnant ...